객가족(하카족, 진퉁한족): 고대 중국 때부터 지배층 형성(스스로도 한족이라 인식했음) => 서진 시대 이후로 이민족의 침략을 받으면서 당, 송 시대에 중국 남부, 동남아, 타이완 등지로 대거 이주하고 해당 지역에 경제붐, 문화 발전 일으킴 => 중국 본토가 만주족에 먹혀 잡종 짭퉁 짱깨들한테 잠식되면서 본격적으로 동남아, 중국 남부, 타이완에 정착하여 화교권 형성 => 이게 현대의 싱가폴, 홍콩, 타이완으로 이어짐.
부여계(예맥족): 고조선 => 부여, 고구려(예맥족 지배층과 만주 잡민족들 피지배층) => 백제(부여계 지배층과 반도 토착민 피지배층), 일본(부여계 지배층과 죠몬 피지배층)
※현대 한국의 조상인 신라는 에벤키 잡종들이 세운 근본없는 나라로, 부여계의 적이었고, 따라서 부여계와 현대 한국인은 관련 없음.
동아시아 역사는 객가족과 부여계가 장군멍군 하면서 진보하였고, 현대에도 객가족이 중국 공산당에 대거 침투하여 요직을 차지하는 등(중국 경제의 발전을 주도한 덩샤오핑이 객가족) 이 두 민족의 구도는 현대에 중국 vs 일본의 대결 양상으로 이어지고 있다.
http://gall.dcinside.com/board/view/?id=history&no=1458611
Sunday, December 7, 2014
Friday, December 5, 2014
Fayum Arts depict Greek ancestors.
Here follows a remarkable post on Fayum painting, a subject that needs more attention. On my part I’d like to remind that fayum painting can be considered as a predecessor of Orthodox Christian iconography, which turned hellenistic art to even more ascetic and symbolical ways, instead of emphasizing its three dimensional elements.
Fayum Portraits – source: My Greek Odyssey
The Fayum portraits are a collection of 1st to 3rd century portraits made up mostly of Greek colonists of ancient Egypt. These colonists settled in cities like Alexandria after the conquest of Egypt by Alexander the Great and its subsequent rule by Greek Kings. They are among the best surviving portraits of antiquity. Scattered in museums such as the British Museum, The Louvre, and the Museum of Art in New York, they represent some of the finest examples of Greek art, providing us with snapshots depicting some of our Greek ancestors. Looking at them one has the eerie feeling that he is meeting some long lost relatives for the first time. They were made with hot, pigmented wax on wooden panels, which were completed during the life of the individual and displayed in their home, this custom belonged to the traditions of Greek Art. After the person was deceased, the portrait panel was placed over the mummified individuals face. The surviving paintings are predominantly from the Fayum region in Egypt and were completed during Hellenistic and Roman periods in this province, which had been settled primarily by Greek colonists, many of whom were soldier-veterans. The practice was common and the painters of the Fayum were either Greek residents dating from the Ptolemaic period of the late 4th century B.C., or those who had inherited the Greek artistic tradition. According to Eurosyne Doxiadis in her book entitled “The Mysterious Fayum Portraits: Faces from Ancient Egypt” the dry climate of the region preserved many of the paintings until today.
Paintings of this type, were often painted in the elaborate technique, using pigments mixed with hot or cold beeswax and other ingredients such as egg, resin, and linseed oil. This versatile medium allowed artists to create images that in many ways are akin to oil paintings in Western art. The boy’s head, for instance, stands out with an impression of real depth from the light olive-colored background. His face is modeled with flowing strokes of the brush and a subtle blend of light and dark colors. Shadows on the left side of the face, neck, and garment and bright shiny spots on the forehead and below the right eye indicate a strong source of light on the boy’s right. Most arresting are the eyes, dark brown with black pupils that reflect the light with bright spots. This manner of painting, which is very different from the traditional Egyptian style but was well known in Greco-Roman Egypt, originated in Classical Greece in the fifth and fourth centuries B.C.
For more portraits see the collection here.
Cf. Protestant and Orthodox iconography compared
http://www.ellopos.com/blog/?p=179
Fayum Portraits – source: My Greek Odyssey
The Fayum portraits are a collection of 1st to 3rd century portraits made up mostly of Greek colonists of ancient Egypt. These colonists settled in cities like Alexandria after the conquest of Egypt by Alexander the Great and its subsequent rule by Greek Kings. They are among the best surviving portraits of antiquity. Scattered in museums such as the British Museum, The Louvre, and the Museum of Art in New York, they represent some of the finest examples of Greek art, providing us with snapshots depicting some of our Greek ancestors. Looking at them one has the eerie feeling that he is meeting some long lost relatives for the first time. They were made with hot, pigmented wax on wooden panels, which were completed during the life of the individual and displayed in their home, this custom belonged to the traditions of Greek Art. After the person was deceased, the portrait panel was placed over the mummified individuals face. The surviving paintings are predominantly from the Fayum region in Egypt and were completed during Hellenistic and Roman periods in this province, which had been settled primarily by Greek colonists, many of whom were soldier-veterans. The practice was common and the painters of the Fayum were either Greek residents dating from the Ptolemaic period of the late 4th century B.C., or those who had inherited the Greek artistic tradition. According to Eurosyne Doxiadis in her book entitled “The Mysterious Fayum Portraits: Faces from Ancient Egypt” the dry climate of the region preserved many of the paintings until today.
Paintings of this type, were often painted in the elaborate technique, using pigments mixed with hot or cold beeswax and other ingredients such as egg, resin, and linseed oil. This versatile medium allowed artists to create images that in many ways are akin to oil paintings in Western art. The boy’s head, for instance, stands out with an impression of real depth from the light olive-colored background. His face is modeled with flowing strokes of the brush and a subtle blend of light and dark colors. Shadows on the left side of the face, neck, and garment and bright shiny spots on the forehead and below the right eye indicate a strong source of light on the boy’s right. Most arresting are the eyes, dark brown with black pupils that reflect the light with bright spots. This manner of painting, which is very different from the traditional Egyptian style but was well known in Greco-Roman Egypt, originated in Classical Greece in the fifth and fourth centuries B.C.For more portraits see the collection here.
Cf. Protestant and Orthodox iconography compared
http://www.ellopos.com/blog/?p=179
Monday, December 1, 2014
미국은 독일 과학자때문에 과학이 발전하였다.
제 목미국이 세계 최고인건 이거지 글쓴이 으랏차차 조회 19 댓글 0
2014-12-01 14:01:59
자원 + 독일 과학자 버프받고 전세계에서 이민충 받아서 존나 성장함.
19세기만 해도
유럽인구의 1/10도 못미치는 나라 였는데
유럽이 세계대전의 피해로 절망했을때 스스로를 기회의 땅, 자유의 나라로
어필 존나해서 지금은 서유럽 주요 국가 다 합한것보다 많음.
이름은 모르겠는데 존나 유명한 일본계 공대 교수가 말하길
지금도 미국 산업 발전시키는 부류는 전문직 종사 외국인들이라면서
미국은 이들을 대상으로 하는 전문직 취업 비자 포기하면 씹똥망 할거라고 경고함.
아주 틀린말은 아닌게 전투기 개발 역사를 보면
미국과 소련의 근본적인 차이는
소련은 돈은 없지만 과학자들이 존나 똑똑했다는 거고
미국은 과학자들이 소련보다는 병신이었지만 돈이 많아 이것저것 실험해서 알아낸 경험 축적이 강했음.
http://gall.dcinside.com/board/view/?id=history&no=1452775&page=1
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